The Application of Female Pattern Aesthetic and Design: A Case of Nvshu Pattern

Zhongjie Wang and Huie Liang^*

Department of Textiles and Clothing, Han Nationality Costume Culture and Nonmaterial Culture Heritage Lab, Jiangnan University, Wuxi, Jiangsu, PR China

*Corresponding Author : Huie Liang
Professor of the School of Textiles and Clothing, Department of Textiles and Clothing, Han Nationality Costume Culture and Nonmaterial Culture Heritage Lab, Jiangnan University, Wuxi, Jiangsu, PR China
Tel: 13815100696
E-mail: lianghe@jiangnan.edu.cn

Received: March 27, 2017 Accepted: April 05, 2017 Published: April 09, 2017

Citation: Wang Z, Liang H (2017) The Application of Female Pattern Aesthetic and Design: A Case of Nvshu Pattern. J Fashion Technol Textile Eng 5:2. doi: 10.4172/2329-9568.1000148

With the progress of globalization and the cultural fusion between different areas and nationalities, diversification is typical of global culture and aesthetic appreciation. Regional, ethnic and highly distinctive garments have drawn unprecedented attention and are being used as a fashion for textile clothing design. Nvshu is the only surviving female writing system in the world. Its design originated from weaving patterns, with unique regional characteristics. This article aims to the application of Nvshu pattern, as an ethnic element, to the design of modern women’s dress which highlights the uniqueness of these garments, and also will serve as new reference to the introduction of cultural products to the design of textile clothing.